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tadbirlar, yigʻinlar, konsertlar, maktablar va norasmiy uchrashuvlarda yangraydigan repertuarlarni qamraydi. Mugʻom va oshiqning maxsus anʼanalari ",[406,407,121],"a",{"href":122}," maqolasida berilgan.",[410,411,413],"h2",{"id":412},"tarixiy-va-geografik-kontekst","Tarixiy va geografik kontekst",[402,415,416],{},"Shaharlar, togʻ tumanlari, yaylovlar va Kaspiy sohili sayohat, toʻy, bozor va professional ijro orqali cholgʻu, kuy hamda raqs qadamlarini almashib kelgan.",[410,418,420],{"id":419},"cholgʻular-va-ansambllar","Cholgʻular va ansambllar",[402,422,423,424,428,429,432,433,436,437,440,441,444],{},"Uzun dastali ",[425,426,427],"em",{},"tar",", kamonli ",[425,430,431],{},"kamancha",", doira ",[425,434,435],{},"gʻaval",", qoʻsh qamishli ",[425,438,439],{},"balaban"," va nay ",[425,442,443],{},"tutak"," turli repertuarlarda ishlatiladi. Ansambl tarkibi janr hamda tadbirga qarab belgilanadi; zamonaviy marosimlarda kuchaytirgich va elektron klavishlar ham uchraydi.",[410,446,448],{"id":447},"vokal-amaliyoti-va-repertuar","Vokal amaliyoti va repertuar",[402,450,451],{},"Qoʻshiqlar lirik, hazilomuz, hikoyaviy, diniy yoki mavsumiy boʻlishi mumkin. Toʻylarda tinglash va raqs uchun asarlar almashinadi; ijrochilar kelish, ovqatlanish va kuzatishga moslab vaqt hamda surʼatni oʻzgartiradilar.",[410,453,455],{"id":454},"ijtimoiy-raqs-shakllari","Ijtimoiy raqs shakllari",[402,457,458,459,462,463,466],{},"Raqs saf, doira, juftlik yoki yakka holda bajariladi. ",[425,460,461],{},"Yallı"," qoʻl yoki yelkadan tutashib, yetakchi boshchiligida takroriy qadamlar bilan tushiladigan guruh raqsidir. ",[425,464,465],{},"Uzundərə"," sekin va oqimli kuy-uslub bilan bogʻlanadi; tez kuylar ixchamroq qadamlarni chaqiradi.",[410,468,470],{"id":469},"oʻrganish-va-ijro-makonlari","Oʻrganish va ijro makonlari",[402,472,473],{},"Bolalar musiqa bilan oila, yozuvlar va maktabda tanishadilar. Rasmiy taʼlim texnika, nota va ansambl intizomini, shogirdlik esa tinglash va yodlashni beradi. Sahna shakllari qisqartirilgan bo‘lsa, uy ijrosi takror va tomoshabin ishtirokiga imkon beradi.",[410,475,477],{"id":476},"farqlar","Farqlar",[402,479,480],{},"Togʻ va pasttekislik hududlari qoʻshiq matni, raqs nomi, cholgʻu birikmasi va toʻy tashkilida farqlanadi. Avlod, migratsiya va taʼlimga kirish repertuarga taʼsir qiladi.",[402,482,483],{},"Bu mavzuni batafsil tushuntirishda anʼana haqidagi meʼyoriy tasvir bilan amalda kuzatiladigan holatni farqlash kerak. Janr, buyum yoki amal nomlari tasnif uchun qulay, biroq ularni oilalar, yosh guruhlari, hududlar va ustalar turlicha ishlatishi mumkin. Shu sababli suhbat, muzey tavsifi, nota, retsept, surat yoki savdo katalogidagi maʼlumotlar bir-biriga avtomatik tenglashtirilmaydi. Ularning har biri amaliyotning boshqa bir payti va boshqa nuqtayi nazarni qayd etadi.",[402,485,486],{},"Kundalik muhitda bilim odatda yagona matn orqali emas, takrorlash, birga ishlash, kuzatish va tuzatish orqali uzatiladi. Oʻrganish material hamda asbob tanlashni, ishlar ketma-ketligini, atamalarni, oʻrinlilik qoidalarini va vaziyatga moslashishni qamraydi. Ishlab chiqarish miqyosi, xomashyo mavjudligi, shahar hayoti, taʼlim, yozuv va raqamli aloqa oʻzgarsa ham, bu mahalliy bilimning ahamiyati yoʻqolganini anglatmaydi. Baʼzi unsurlar ataylab saqlanadi, boshqalari qulayroq vosita bilan almashtiriladi, yana ayrimlari esa yangi tinglovchi yoki foydalanuvchiga ega boʻladi.",[402,488,489],{},"Ilmiy tavsif uchun aniq namunaga oid kelib chiqish, qayd etilgan sana va joy, yozuv muallifi hamda ijro yoki foydalanish muhiti muhimdir. Buyum, kuy, taom yoki marosim oilaviy odat, kasbiy ish, sovgʻa, bozor mahsuloti yoki sahna taqdimoti boʻlishi mumkin; bu holatlar bir xil emas. «Milliy» uslub haqidagi umumlashmalar hududiy farqlar va alohida ijrochining tanlovi bilan tekshirilishi lozim. Ogʻzaki xotiralarni moddiy izlar va nashr qilingan manbalar bilan qiyoslash anʼananing davomiyligini uni oʻzgarmas deb tasavvur qilmasdan yoritishga yordam beradi.",[402,491,492],{},"Bugungi murojaat uy sharoitidagi foydalanish bilan bir qatorda taʼlim, ustaxona, konsert va koʻrgazma, ovqatlanish joylari hamda sayyohlik talabi bilan bogʻliq. Bu muhitlar yangi ko‘rinish va daromad imkonini yaratadi, biroq mualliflik, sifat, qisqartirilgan shakl va kontekst masalasini ham qoʻyadi. Shuning uchun mavzuni yolgʻiz ramz sifatida emas, balki bilim ishlatiladigan va muhokama qilinadigan koʻnikmalar, munosabatlar, buyumlar hamda vaziyatlar majmui sifatida koʻrish foydalidir.",[402,494,495],{},"Bunday materiallar bilan ishlaganda mavjud dalillarning chegarasini ham hisobga olish zarur. Bitta hikoya, buyum yoki yozuv butun hudud aholisini avtomatik ifodalamaydi va boshqa manbalarni qiyoslash oʻrnini bosa olmaydi. Atamalar, sanalar va kuzatish sharoitini aniqlashtirish tavsifni tekshiriladigan qiladi hamda oʻquvchiga tasdiqlangan maʼlumotni keyingi talqindan ajratishga yordam beradi. Bu farq, ayniqsa, amaliyot uni davom ettirayotgan kishilar bilan birga oʻzgaradigan joylarda muhimdir.",[410,497,499],{"id":498},"shuningdek-qarang","Shuningdek qarang",[501,502,503,508,512],"ul",{},[504,505,506],"li",{},[406,507,121],{"href":122},[504,509,510],{},[406,511,109],{"href":110},[504,513,514],{},[406,515,113],{"href":114},[410,517,519],{"id":518},"hujjatlashtirilgan-misol","Hujjatlashtirilgan misol",[402,521,522,523,529],{},"Oshiq ijrochiligi she’riy qo‘shiq va hikoyani soz jo‘rligi bilan birlashtiradi; ijrochilar to‘ylarda ham, konsert sahnasida ham qatnashadi. ",[406,524,528],{"href":525,"rel":526},"https://ich.unesco.org/en/RL/art-of-azerbaijani-ashiq-00253",[527],"nofollow","UNESCO: Art of Azerbaijani Ashiq",".",[402,531,532],{},"Ko‘rsatilgan manba ushbu misolni tasdiqlaydi. Umumiy sharh tahririy qoralama bo‘lib, mahalliy odatlar va tarixiy talqinlar mutaxassis tekshiruvini talab qiladi.",{"title":534,"searchDepth":535,"depth":536,"links":537},"",1,2,[538,539,540,541,542,543,544,545],{"id":412,"depth":536,"text":413},{"id":419,"depth":536,"text":420},{"id":447,"depth":536,"text":448},{"id":454,"depth":536,"text":455},{"id":469,"depth":536,"text":470},{"id":476,"depth":536,"text":477},{"id":498,"depth":536,"text":499},{"id":518,"depth":536,"text":519},"Ozarbayjon musiqiy muhitlari, cholgʻulari, raqs shakllari, anʼanani uzatish va mahalliy farqlar haqida umumiy maʼlumot.","draft","md",[],{},null,{"title":125,"description":546},[554],{"title":528,"url":525},"/en/docs/azerbaijan/music-dance","1WJMEGAsvkGD8PC0A4EcwWIV5xFe4zE8-eujGlcH2fQ",[558,560],{"title":121,"path":122,"stem":123,"description":559,"children":-1},"Ozarbayjon mugʻomi va oshiq ijrochiligi, repertuar, cholgʻu va anʼanani uzatish haqida kirish.",{"title":129,"path":130,"stem":131,"description":561,"children":-1},"Ozarbayjonda Novruz davridagi uy tayyorgarligi, taom, tashrif, ramzlar va mahalliy farqlar haqida umumiy maʼlumot.",1791560796403]